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On first listen, 's score for Mummy director ' vampire flick Van Helsing is an arc-less barrage of cartoon bombast that beats the listener into submission from its very first cue. Additional credits Besides Alan Silvestri, who co-produced the album in addition to composing it, these additional credits are given on the back of the CD cover: Produced by.

His summary is that 'Van Helsing is one monumentally bold and wickedly exciting work', however.

Like the other two reviewers, he points out the lack of softer underscore on the album, but also finds that Van Helsing's guitar-accompanied theme 'sounds remarkably strange in context' and that Silvestri broke a fundamental rule of film scoring by giving the title character the weakest theme. Editor Christian Clemmenson praises the score for 'allowing the force of a full orchestra and adult choir to set a high standard for summer action once again,' and particularly enjoyed the cue Reunited, which he describes as 'nothing less than lovely'. On, Dan Goldwasser calls the score 'one heck of an album', saying of Transylvania 1887 especially: 'It's grand, it's epic, and it's a great start to the album.' He also points out that 'the sequencing of the album leaves just a little to be desired', bemoaning the scant treatment of the love theme that 'factored so heavily in the film'. He does admit that 'the score is unbelievably loud and hyperactive with virtually no moments of rest', dryly remarking that 'a free bottle of aspirin may have been more appropriate' as a freebie than the offered mini poster. Movie Music UK's Peter Simons says that Silvestri has delivered 'what may be the loudest score of the year', but that he 'makes this kind of music sound good.infusing the score with a textural richness and compositional quality that is quite rare these days'. 4:23 Critical reception Generally well received by fans and critics alike, three major score-reviewing websites all rated it at four out of five stars. A final statement of Van Helsing's theme completes the album. It introduces a new theme, a love theme for Van Helsing and Anna, that is performed on solo horn and strings, with a powerful variation following with some heartbeat-resembling deep percussion. Reunited Reunited, a respite from the action, is the music played as Van Helsing stands on the cliff and sees Anna in heaven, as well as Frankenstein's monster sailing off on his raft.

Final Battle As the title suggests, Final Battle is the film's longest action piece, featuring a lengthy, relentless recap of all the film's action themes, including Dracula's, Frankenstein's, the brides' and the swashbuckling theme.

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